Birmingham Museum and Art Gallery
Title: Art Teaching sessionsback

Pattern

Birmingham Museum & Art Gallery is a wonderful place to discover pattern. From intricate Asian textiles to the famous collection of ceramics, wrought iron and stained glass, children will be fascinated to learn about styles, symbols and motifs, and will be able to make a pattern design of their own.

The Industrial Gallery, which houses a famous collection of ceramics, wrought iron and stained glass, is an exciting place to explore. Children can record different types of pattern from original sources and learn how motifs and patterns are created.

- Download pupil worksheet (Word 265 KB) or
- Download pupil worksheetAcrobat (73 KB)

Photo of The Industrial Gallery and Round Room

The Industrial Gallery and Round Room
The building itself is a valuble tool in teaching sessions as children can discover pattern in the decorative ironwork, columns, brickwork, tiles and windows all around them.
The Round Room and the Industrial Gallery were opened by the Prince of Wales in 1885.
The Round Room today looks much the same as it would have done then. The paintings are hung closely together. The Industrial Gallery, built of decorative ironwork, was the major exhibition area of the original 1885 building. The items on display were models of good design, intended to inspire Midlands industrial craftsmen.

William De Morgan - Wall tile

William De Morgan, Wall tile (1880's)
Location: Industrial Gallery
William De Morgan was influenced by Islamic pottery lustre decoration, achieving a shimmering effect by adding metal oxides to the ceramic surface before firing. His tiles were earthenware, with the transfer painted over the slip (runny clay). The white slip provided a smooth, brilliant background to the colour on the tiles`

Stained Glass Window, St John the Baptist Stained Glass Window, St John the Baptist
The Industrial Gallery has some impressive stained glass which can be used in the topic of pattern. This example has a clear border, an inner red border with three trefoil shaped leaves springing from a circle painted in yellow and brown on clear glass.
Burne-Jones, a painter of international renown born at Bennett's Hill, Birmingham, and his colleague, Rossetti, designed some of the stained glass here